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The band was hobbled, literally, by a series of injuries all too inevitable for men entering or already in their sixth decade of life and still pounding rock and roll stages. "Whatever the reason we were fighting, it was the dumbest shit on the planet." - Steven Tylerīut Music from Another Dimension! is an album that came very close to never being made at all. But you can certainly take that influence and use it when you’re doing new music. “All these years, they’ve been saying, ‘Why don’t you make a record that sounds like the old stuff?’ But like anything that’s been around for 30 years, the classic Aerosmith stuff has acquired a certain patina. “We made the record that I hope people have been waiting for,” Perry says. Put that up against anything on Rocks or Toys in the Attic. Then go listen to ‘Out Go the Lights.’ I haven’t heard anybody do anything like that in a while. “If you want to hear rock and roll at its finest, just listen to Joe’s song ‘Oh Yeah’ on the new album. At age 62, he remains very much the archetypal rock guitar god. And perhaps more than any other member of Aerosmith, it is Joe Perry who carries that classic rock tradition with all the requisite attitude and swagger. It may lack a single as immediate as "Fallin' in Love (Is Hard on the Knees)" - or the subsequent "Jaded" from 2001's Just Push Play - but it faithfully follows Aerosmith's '90s blueprint, getting nothing wrong but never quite feeling right.Tyler himself has always been quite a piece of work, and so, in a way, is Music from Another Dimension! The album skews schizophrenically between schmaltzy over-produced Tyler ballads and plenty of the bone-crunching hard rock hookiness that’s been Aerosmith’s most glorious asset ever since they first came out of Boston in the early Seventies. And, in a sense, as an overall piece of product, Music from Another Dimension! is no worse than Nine Lives. Nobody breaks the bank attempting to make a rock album that's everything to everyone, and Aerosmith sound entirely oblivious to this state of affairs, carrying on like it was 1997. Simply put, nobody makes albums like this any more.
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This bright blare conveniently camouflages the raggedness of Tyler's voice as well, but Aerosmith truly show their age by the very nature of the album itself.
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Both the rockers and ballads are big, big, big, dressed in countless overdubs, so much clatter that it can be hard to hear hooks initially. Carrie Underwood may pop up for a duet on "Can't Stop Loving You," but that's the only nod to the present on an album that's living every day like it's 1997.
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That schism can be heard on Music from Another Dimension!, particularly toward its conclusion when Perry muscles his way to the mike for a pair of bracing rockers reminiscent of the band at full flight, but more than anything, this big-budget blockbuster telegraphs that Aerosmith is indeed broadcasting from another dimension, a dimension where splashy kitchen-sink albums from rock bands could sell millions of copies on sheer momentum alone. Joe Perry, the Keith Richards to Tyler's Mick Jagger, never was happy about Tyler's leap to the small screen but it was just one of many interpersonal squabbles that bled their way into the public. 2012's Music from Another Dimension! may be their first album in eight years - and their first record of original material in over a decade! - but the band has never been far from the headlines during those missing years, and not just because Steven Tyler screeched his way into America's homes as Simon Cowell's replacement on American Idol. "How can we miss you when you won't go away?" It's a question that sounds as if it could be the title of an Aerosmith power ballad co-written by Diane Warren, but it's a sentiment that also applies to the Boston quintet themselves.